• 3 Posts
  • 20 Comments
Joined 1 year ago
cake
Cake day: June 12th, 2023

help-circle


  • Womble@lemmy.worldtoTechnology@lemmy.worldMapping the Mind of a Large Language Model
    link
    fedilink
    English
    arrow-up
    14
    arrow-down
    1
    ·
    edit-2
    6 months ago

    This is a really good science communication article, it describes their work in clear terms (finding structures that relate to abstract concepts, seeing when they are activated and how strengthening and weaking them modifies outputs) and goes into the implications for it. I’m probably going to save this link as a rebuttal for the people who claim LLMs just predict the next word and have no concepts embedded in them.



  • People aren’t advocating for Disney level copyright protection

    No they aren’t, they are arguing for making copyright even stronger than the system created by Disney, where not even distributing copies of a work lands you falling foul of the rights of property holders.

    Generally the position that I’ve seen being advocated is taking copyrighted works, distilling that information (the plagiarism machine etc) and then using that to create new works would be violating the property rights of people who made the original works, despite a copy of them never being distributed. That is a massive expansion of IP rights that you not only have rights to the original work but also to derivative works.

    Most certainly they are not on the same side as corporations, which are embracing AI art wholeheartedly despite the disputed status of copyright laws surrounding it.

    “Corporations” are not a monolith on this, what Disney or a publishing house wants is not aligned with what an upstart AI company wants. Which means that change from the property holder centric system is possible for the first time in a century or more as there are powerful interests lining up both for and against it rather than being puerly on the side of the status quo.


  • The people “obsessed” with it are, by and large, independent and industry artists

    I’m not sure that’s true unless Lemmy has an incredibly strange community of whom a significant proportion are tech focused professional artists. But regardless the point I’m making is more about the mindset where people become vociferous defenders of an unjust system that benefits large corporations because they are fighting for the few scraps that they get out of it, rather than considering alternatives.






  • Humans were the best at weaving until looms came along, humans were the best at welding components together until industrial robots came along. Humans were the best at doing double entry accounting until digital computers came along.

    I just don’t see this current wave of AI of being any different than previous technological advances that became tools better at specific tasks than humans.

    This is one-way, hunans don’t win back ground.

    No they dont they open up new gound as technology increases the range of the possible, as the article talks about

    One critical wild card is how many new jobs will be created by AI even as existing ones disappear. Estimating such job creation is notoriously difficult. But MIT’s David Autor and his collaborators recently calculated that 60% of employment in 2018 was in types of jobs that didn’t exist before 1940.


  • Did you even read the paragraphs I pulled out, not even the article itself?

    Then Compton abruptly switched perspectives, acknowledging that for some workers and communities, “technological unemployment may be a very serious social problem, as in a town whose mill has had to shut down, or in a craft which has been superseded by a new art.”

    His whole point was technology does not reduce the amount of employment as a whole, but it can focus pain on particular communities that get displaced by technology. I just don’t buy into the tech bro singularity cult that AI will grow at an exponential rate and replace everyone, AI will be a tool like any other - extending human capabilities but not replacing them entirely.