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Joined 1 year ago
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Cake day: July 12th, 2023

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  • Definitely shield dropping in smash bros melee. Seemed like an essentially impossibly difficult skill, and nearly made me stop playing because I don’t have the time to invest into that kind of tech skills just to be competitive. But then I had my eureka moment when I learned that you can get your shield up and not roll if you just have the stick to the right or left when you press shield in the first place. After that it’s just dropping the stick down one notch and you’re dropping like no tomorrow. Bit of practice to get the timing down and now I’ve unlocked an entirely new dimension of my play.

    Yet another reason I cannot stop playing melee. Every time I think I’ve figured that game out, it reveals an entirely new level of depth that was invisible before I had the tech to see it.






  • In my mind, they should be paying the actor the same for the new lines regardless of whether they opt for them to come back in and re-record or use AI to generate the new line. The actor’s product (their voice) isn’t worth any less, but the company could save money by streamlining the creation of a new line through simplified logistics. This way the company has some benefit while preserving the actor’s livelihood.

    Of course there’s no way these companies are going to want to pay full price for these new lines, since it’s an obvious point where they can pressure performers to accept a lower rate.






  • A bad actor could record the keyboard and then figure out a way to get it installed

    The room is important to the training of the model as well. So even if you know the make and model of the keyboard, the exact acoustic environment it is in will still require training data.

    Also if you can install a keyboard of your choosing, you can just put the keylogger inside the keyboard. If you’re actually getting your own peripherals installed on your target machine, training a model to acoustically compromise your target is the most difficult option available to you.